Bedroom beat morpher, Lukid, follows up his 2007 debut ‘Onadon’ with ‘Foma’ on the well established, and increasingly vital Werk Discs record label. Traversing the landscape of late night sojourns and the moods of a dawn breathing out sun rays, ‘Foma’ has a surprisingly restrained approach in its composition and arrangement that belies an intricate depth and complexity, which unfolds under repeated listens. While electronic in its application of sounds, its organic ethos is evident as samples flutter haphazardly, loops roll out of time and bass lines morph and change pitch spontaneously, giving Foma a freedom and liveliness more commonly found in jazz records than electronic productions. ‘Fall Apart’ displays this approach, as tribal drum rhythms subtly shift time signatures, while a throbbing bass line grows rich in texture, rising to fuse with the rhythm before washing away underneath its changing patterns only to re-emerge later, rising again with stranger textures and a different purpose. An identifiable thread weaves through ‘Foma’, as dreamy sequence loops float over plunging cables of sub bass. This creates a balanced contrast between the airy, early morning lucidity that permeates the album and the weighted soul that lends it an exploratory, moody depth. The up-tempo ‘Chord’ provides a highpoint with its stepped, clicky beats, hypnotic synth loop and relentless, unpredictable bass line. However it is what is happening in between the drum rhythms and the low end frequencies that is where the magic occurs in ‘Foma’. The warmth, soulfulness and pure hypnotism created by Lukid’s manipulation of the samples, synths and pads at his disposal feels almost cosmic in its ability to yield the listeners soul. You can call it Post Hip Hop, Future Beats, IDM or Electronica, in the end none of that means shit, as ‘Foma’ is so unflinchingly honest. This is music to dissolve to (Richard Buck). 8/10
Monday, 30 March 2009
Bedroom beat morpher, Lukid, follows up his 2007 debut ‘Onadon’ with ‘Foma’ on the well established, and increasingly vital Werk Discs record label. Traversing the landscape of late night sojourns and the moods of a dawn breathing out sun rays, ‘Foma’ has a surprisingly restrained approach in its composition and arrangement that belies an intricate depth and complexity, which unfolds under repeated listens. While electronic in its application of sounds, its organic ethos is evident as samples flutter haphazardly, loops roll out of time and bass lines morph and change pitch spontaneously, giving Foma a freedom and liveliness more commonly found in jazz records than electronic productions. ‘Fall Apart’ displays this approach, as tribal drum rhythms subtly shift time signatures, while a throbbing bass line grows rich in texture, rising to fuse with the rhythm before washing away underneath its changing patterns only to re-emerge later, rising again with stranger textures and a different purpose. An identifiable thread weaves through ‘Foma’, as dreamy sequence loops float over plunging cables of sub bass. This creates a balanced contrast between the airy, early morning lucidity that permeates the album and the weighted soul that lends it an exploratory, moody depth. The up-tempo ‘Chord’ provides a highpoint with its stepped, clicky beats, hypnotic synth loop and relentless, unpredictable bass line. However it is what is happening in between the drum rhythms and the low end frequencies that is where the magic occurs in ‘Foma’. The warmth, soulfulness and pure hypnotism created by Lukid’s manipulation of the samples, synths and pads at his disposal feels almost cosmic in its ability to yield the listeners soul. You can call it Post Hip Hop, Future Beats, IDM or Electronica, in the end none of that means shit, as ‘Foma’ is so unflinchingly honest. This is music to dissolve to (Richard Buck). 8/10
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